Found 70
40 × 40 × 3.5 inches, Giclee UV Textured Ink on Canvas on Wood in Box Frame
Found 70 is an abstract digital masterpiece by Rose Freeland that channels the raw energy of Fort Bragg's coastline, where land meets sea in a dance of endless motion. Swirls of deep cerulean and frosted turquoise mimic the Pacific's waves crashing against the rugged cliffs, their fluid forms bleeding into jagged streaks of charcoal and sienna, evoking the weathered rocks that stand firm against the tide. Misty gradients of soft gray and lavender wash over the composition, mirroring the ethereal fog that drapes the shoreline at dawn. Flecks of seafoam white burst across the scene like ocean spray frozen in time, while hints of golden amber weave through the chaotic rhythm, reminiscent of sunlight flickering through a salty haze.
Freeland's work does not depict Fort Bragg's coast literally. Instead, it distills its essence—the wild, untamed beauty, the harmony of turbulence and tranquility, the feeling of standing at the edge of something vast and eternal. The layering of color and texture, the interplay of sharp lines and fluid forms, all conjure a visceral response, as if the viewer is standing on the cliffs, hearing the roar of the waves, tasting the salt in the air. The coastline is not merely seen, but felt—an impressionistic memory given shape through the artist's hands.
Produced on archival museum-quality substrates and materials.
40 × 40 × 3.5 inches, Giclee UV Textured Ink on Canvas on Wood in Box Frame
Found 70 is an abstract digital masterpiece by Rose Freeland that channels the raw energy of Fort Bragg's coastline, where land meets sea in a dance of endless motion. Swirls of deep cerulean and frosted turquoise mimic the Pacific's waves crashing against the rugged cliffs, their fluid forms bleeding into jagged streaks of charcoal and sienna, evoking the weathered rocks that stand firm against the tide. Misty gradients of soft gray and lavender wash over the composition, mirroring the ethereal fog that drapes the shoreline at dawn. Flecks of seafoam white burst across the scene like ocean spray frozen in time, while hints of golden amber weave through the chaotic rhythm, reminiscent of sunlight flickering through a salty haze.
Freeland's work does not depict Fort Bragg's coast literally. Instead, it distills its essence—the wild, untamed beauty, the harmony of turbulence and tranquility, the feeling of standing at the edge of something vast and eternal. The layering of color and texture, the interplay of sharp lines and fluid forms, all conjure a visceral response, as if the viewer is standing on the cliffs, hearing the roar of the waves, tasting the salt in the air. The coastline is not merely seen, but felt—an impressionistic memory given shape through the artist's hands.
Produced on archival museum-quality substrates and materials.
40 × 40 × 3.5 inches, Giclee UV Textured Ink on Canvas on Wood in Box Frame
Found 70 is an abstract digital masterpiece by Rose Freeland that channels the raw energy of Fort Bragg's coastline, where land meets sea in a dance of endless motion. Swirls of deep cerulean and frosted turquoise mimic the Pacific's waves crashing against the rugged cliffs, their fluid forms bleeding into jagged streaks of charcoal and sienna, evoking the weathered rocks that stand firm against the tide. Misty gradients of soft gray and lavender wash over the composition, mirroring the ethereal fog that drapes the shoreline at dawn. Flecks of seafoam white burst across the scene like ocean spray frozen in time, while hints of golden amber weave through the chaotic rhythm, reminiscent of sunlight flickering through a salty haze.
Freeland's work does not depict Fort Bragg's coast literally. Instead, it distills its essence—the wild, untamed beauty, the harmony of turbulence and tranquility, the feeling of standing at the edge of something vast and eternal. The layering of color and texture, the interplay of sharp lines and fluid forms, all conjure a visceral response, as if the viewer is standing on the cliffs, hearing the roar of the waves, tasting the salt in the air. The coastline is not merely seen, but felt—an impressionistic memory given shape through the artist's hands.
Produced on archival museum-quality substrates and materials.